![]() In "Terminator Salvation," those machines don't yet look very Schwarzenegger-like (although, thanks to the magic of computer imagery, Schwarzenegger does make an appearance, sort of) in this movie's vision, Terminators are gangly, unstoppable gunmetal-colored behemoths, with all-seeing red eyes.īut a small, hardy band of flesh-and-blood foot soldiers are fighting back: John Connor is the bravest and most charismatic of all - he gives rousing, FDR-style radio addresses to his scattered followers, which include Yelchin's young Kyle Reese and the silent but sensitive little moppet, Star (played by young actress Jadagrace), who tags along with him. His John Connor is the man who wasn't supposed to be born: "Terminator Salvation" is set in 2018, 34 years after the action of the first "Terminator." The totalitarian creeps at Skynet are well on their way to exterminating humans, using killing machines, or Terminators, to do the dirty work. They may as well have been lifted from a lazily programmed computer game.īut then, this is summer entertainment, brainless fun - so maybe we're supposed to look the other way as Bale gives what may be the most drab performance of his career. Why should we care about iconic resistance leader John Connor (Christian Bale), or his teenage dad, Kyle Reese (Anton Yelchin), if not even McG can be bothered to give a fig? Even the action sequences feel canned: Characters run toward helicopters, yelling, or grunt as they engage in jerky hand-to-hand combat. But "Terminator Salvation" is so programmed, so impersonal, that it practically dares you to warm to its characters. This is the fourth picture in the "Terminator" franchise - the previous one, the 2003 "Terminator 3: Rise of the Machines," was among the last pictures made by Arnold Schwarzenegger before he traded literal muscle for political clout - and to work, it would have to be compelling enough to make people give a damn. ![]() Brancato and Michael Ferris, mines the mythology of James Cameron's original 1984 "The Terminator" by indifferently hacking away at it with a virtual remote-controlled backhoe. "Terminator Salvation," directed by McG and written by John D. You can't put it into a chip." Apparently, you can't put it into a movie, either, at least not if you're McG. Late in "Terminator Salvation," a character ponders aloud in voice-over, "What is it that makes us human? It's not something you can program.
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